Tate Britain, the National Gallery, and more

Eight of us met at Tate Britain on a cold but dry Saturday January 19th. We were there to see the Burne-Jones exhibition, although a couple of us baulked at the admission cost and just went round the rest of the Tate. There was the usual grumbling that the admission automatically assumes you are a 40% taxpayer and adds on a couple of pounds, requiring you to say, in a clear voice, that you do not want to have it under Gift Aid. It makes you feel cheap, which I suppose is part of the plan, but really, isn’t the gallery satisfied enough with the extra 25% it gets under Gift Aid? I would happily agree to Gift Aid if it does not cost me any more than the already high admission charge. Ah well, back to the exhibition...

efog tate 190119 135429artBurne-Jones was one of the last of the Pre-Raphaelites and worked a lot with William Morris. He produced and designed works for tapestries, paintings, stained glass windows, and so on. It was a surprise to see so much work – there were 7 rooms full of his work – and it took us more than 2 hours to get round. All of us agreed it was a wonderful exhibition and felt a bit mollified about the cost (Sorry, last time I shall mention it). Meeting up with the others who had toured the rest of the gallery we then adjourned to a nearby pub for lunch.

It was now 3 pm but we had not finished. We walked to Trafalgar Square, noting as we passed the Houses of Parliament and Whitehall how many protest groups were stridently demanding freedom, liberalism, justice in various countries from the Democratic Republic of Congo (when a country has to include Democratic in its title you know it is anything but) to Balochistan (look it up, I had to). The police were out in force to cope with the groups.

Dave wanted us to see the Rachael Maclean exhibition in the National Gallery (free this time – sorry, I lied!) There was a thoroughly entertaining video and examples of her art. A lot more colourful and bright compared to Burne-Jones. Coincidentally, Landseer’s Monarch of the Glen was on display in an adjoining gallery and was well worth seeing.

Exiting the National Gallery in the gathering dusk a few were planning on going to Stratford to watch Stan and Ollie, a film about Laurel and Hardy. A full day indeed! The rest of us went home.

Brian Unwin, 20th January 2019